Have you ever wondered how it would feel to become an actor? Well, I can tell you how I felt when I got my first role. I was scared!!! I mean, imagine how you would feel if you had to do anything in front of an audience. Now, you may have had to go up in front of your entire class and read a paragraph from a book. But, let me tell you...doing an entire two-hour long play in front of hundreds of people...strangers...can be very traumatic. Especially when you're only 13...and you're at a point in your life when you fear that your voice is going to crack and change and make you a laughing stock!
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Well, thank God that my father, who was a theatre major in college, prepared me long before my theatrical debut. The play...Peter Pan by James M. Barrie. My role...well, none other than the boy who wouldn't grow up himself.
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My costume? Well, you're looking at it. My costume was almost like that which was worn by the character in the Walt Disney feature...only my legs were bare and I wore no shoes. The costume and cap were leaf green...you know, like nature. After all, a boy who flies and mingles with fairies should be looking like a piece of nature himself.
But, the most frightening thing that I had to do was have clear wires attached to the back of my costume in order to help me fly across the stage. What would happen if I got sick to my stomach and lost my cookies on opening night? Worse...what would happen if the stagehand pulled the rope too hard and I ended up hitting a wall??? My father told me that when Mary Martin originally played the role sixteen years before I was even born, the stagehand in charge of her "flying" pulled the rope and directed her right into one of the heavy backdrops. She ended up breaking her shoulder and had to go on opening night wearing a cast under her costume. What a bummer!!!
Well, when opening night came for me, I was like a real trouper. I remembered watching a television show in which a girl's brother told her to imagine seeing the audience in their underwear. I decided to try it myself. Guess what? IT WORKED!!! It was hard to feel intimidated by people in their underwear! I didn't forget my lines...I didn't forget my cues. And, when I finished the entire play and came back onstage to take a bow, I was shocked when everybody in the audience rose to their feet, applauding my performance. What a feeling!
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My next stage appearance was a part in a musical...The King and I. I was cast in the play as the King of Siam's eldest son, Crown Prince Chulalongkorn (try saying that five times fast). When I came onstage during the March of the Siamese Children, I had to walk stiff and approach my "father" with a proud walk and kowtow before him and bow before "Mrs. Anna" strong enough to demand respect. And, when I backed away from them to rejoin my "brothers and sisters", I had to be led by the actress playing my mother in order to avoid walking over any of them. I felt..."Wow! Musicals are easy!" I just couldn't wait to appear in my next one.
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I didn't have long to wait. My next appearance in a musical was not too far along. Actually, the performance was not a musical. It was an opera...a Christmas opera. I had received the title role in Gian Carlo Menotti's Christmas opera Amahl and the Night Visitors and had to keep in time with the flute player so the audience would think I was playing the flute. My third stage appearance was greeted with more applause than ever before...and this was only for a one-night performance!
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Boy, was I lucky that my next performance was going to be a talking role only. Why? Because the new year started off for me with my voice cracking and changing from a boy soprano's to a first tenor's. And, as luck would have it, it was to be my last professional performance before I was to start in a new school...a school recommended by my father's second-cousin. A school from which the finest minds graduate to schools of higher learning. The play...On Golden Pond. I was to play the role of "Billy Ray", the somewhat-neglected son of a divorced middle-aged dentist. My father and his girlfriend decided to leave me with her elderly parents. From the moment I first opened my mouth and uttered my first line, people who were already familiar with my acting heard my new voice...that of a fourteen-year-old teenager.
Did my acting "career" stop there? I should say not!!! Even when I was attending the boys' school on Long Island, I managed to try out (and appear in) six plays...as Puck in A Midsummer Night's Dream, Friedrich in The Sound of Music, Romeo in Romeo and Juliet, Petruchio in The Taming of the Shrew, Demetrius (the youngest of the slaughtered-then-baked sons of the Visigoth queen) in Titus Andronicus and, last but not least, Leo Hart in Coastal Disturbances...a play which, at the time, was still playing on Broadway with Timothy Daly and Annette Bening. Now, even with my busy schedule of classes, sports and theatre, I still managed to graduate with full honors. Among them...senior class valedictorian, as well as most likely to succeed, most athletic and most talented. I also lettered in soccer, tennis, baseball, diving and gymnastics. Whew!!! What a full book!!!
When I went on to college in central Florida, I also made the most of appearing on stage...when my full schedule permitted. I appeared in plays at both my college and the regional theatre, adding more and more to my repertoire and gaining more scholastic achievements and awards...voted most handsome young man on campus, most perfect body on campus, most handsome artists' nude model (if you can believe that), as well as collegiate letter and medals in the same sports I won them for in the boys' school. But, I kept on acting...and modeling.
So, what was there that was left for me to do?

